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藝術(shù)發(fā)展到今日 ，早已打破了傳統(tǒng)模式對藝術(shù)這一概念的界定，它以多元化的創(chuàng)造方式呈現(xiàn)出藝術(shù)文明的進(jìn)程。

以物換物

Transfer with Objects

Duration |展期：1.12,2019—2.20,2019

Opening | 開幕：15:00,1.12,2019（周六）

Venue | 展覽：101 Art Space 一〇一藝術(shù)空間

Artists | 藝術(shù)家：Hua Jiaguo化建國  Ji Yongjie吉永潔  Wang Xiangrong王向榮  Li Shikai 李世開 Xiao Cai肖彩  Yang Zhongwei楊中偉  

Planner| 策展人：Hua Jianguo 化建國

Executive curator|執(zhí)行策展人：Wang Xiangrong王向榮

Chief Art Supervisor | 藝術(shù)總監(jiān)：Li Shutian李書天

Coordinator |展覽統(tǒng)籌：Guo Wenchao郭文超

Producers | 出品人：Zheng Xinyan鄭信彥/Li Ming李銘

Host Unit|主辦單位：Henan PrintStar Art Culture Ltd.河南印之星文化藝術(shù)有限公司

Co-organizer |協(xié)辦方：CNDesign 中國設(shè)計網(wǎng)

藝術(shù)發(fā)展到今日 ，早已打破了傳統(tǒng)模式對藝術(shù)這一概念的界定，它以多元化的創(chuàng)造方式呈現(xiàn)出藝術(shù)文明的進(jìn)程。材料的物質(zhì)屬性是藝術(shù)創(chuàng)作無法脫離的，當(dāng)下人類生存遺跡自身就帶有獨特的社會屬性，周遭的現(xiàn)成品及物象都能夠讓人產(chǎn)生地域性的判斷并得以提煉出社會大背景后的隱痛，這足以代表時代的表情和烙印。

化建國 《異物 同等》

綜合材料   91x61cm  2018

此次展覽通過對周邊環(huán)境中“物”的挖掘參照，尋求一種新的自由表達(dá)途徑來啟發(fā)藝術(shù)家對當(dāng)下境遇的思考與判斷。藝術(shù)發(fā)展當(dāng)下在創(chuàng)作上應(yīng)該對社會現(xiàn)實表達(dá)有所針對，以日常的物象轉(zhuǎn)換為藝術(shù)家所熟悉和需要表達(dá)的藝術(shù)形態(tài)，材料媒介的巧妙轉(zhuǎn)化會讓觀者自然而然的看到作品表象后所思考與現(xiàn)實相關(guān)聯(lián)的東西。物質(zhì)媒介與藝術(shù)家自身觀念兩者相互聯(lián)動、彼此喚醒，物與人彼此對話，讓慣性思維在非常規(guī)化的創(chuàng)作語境中產(chǎn)生化學(xué)反應(yīng)。

吉永潔 《圍城》

尺寸可變，書 手機 建筑鋼管 ，2018

吉永潔 《圍城》

尺寸可變，書  樹脂，2018

此次展覽邀請的藝術(shù)家在以往的作品創(chuàng)作中反應(yīng)出極強的跨越性與敏銳度。藝術(shù)家與周圍環(huán)境發(fā)生直接或間接的關(guān)系，將更為有效的實現(xiàn)藝術(shù)創(chuàng)作的能動性，這便是這次展覽的意義所在。

王向榮 《無題》

尺寸可變， 刀板 水泥 木炭，  2018

王向榮 《周圍》之一

100X120cm， 布面  后工業(yè)材料， 2018

Art, developed to nowadays, has broken the limit of the concept under the traditional model, representing the process of the artistic civilization through diversified ways of creation.The materiality of medium cannot be separated from the artistic creation. For now, human existence remains have unique social property. All the products and objects around can make human have a judgment, then discovering the inner hurts behind the social background, which display the expression and mark of the era.

李世開/肖彩  《廢墟日記-陳莊小學(xué)》 殘垣斷壁

行為裝置，拆遷廢料 教學(xué)遺物， 2016年至今

李世開/肖彩  《廢墟日記-陳莊小學(xué)》 殘垣斷壁

行為裝置，拆遷廢料 教學(xué)遺物， 2016年至今

The exhibition, through the exploration and reference to the “Objects” in the surrounding, seeks a new freedom representative method to inspire the artists reflecting and judgment to the current situation. Art creation development should focus on the social realistic representation, for now, using the objects in daily life to transfer into the art form which the artists are familiar and need to display. The ingenious transfer of material media can lead the audience to think and connect the image they saw with the realistic objects naturally. Materiality media and the artists' personal idea will interaction and wake up with each other, which is like a conversation between objects and human, bringing some changes of the inertial thinking under an unusual creative environment.

楊中偉 《 剩余價值 》

尺寸可變，印刷廢料 鏡面 現(xiàn)成品，  2018

The artists invited by the exhibition have shown the extremely spanning and acumen in the past creation. The artists have connection with surroundings directly or indirectly, which will achieve the initiative of artistic creation more effectively. That is the significance of the exhibition.

楊中偉 《紅色邊緣》

尺寸可變， 印刷廢料 鏡面 現(xiàn)成品， 2018

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About 101 Art Space

一〇一藝術(shù)空間對當(dāng)代藝術(shù)進(jìn)行多維度的開放性思考與發(fā)問，致力于尋找具有明確精神指向性的創(chuàng)作，以空間為支點，通過實驗性的策展方式，梳理藝術(shù)、藝術(shù)家與社會的關(guān)系與脈絡(luò)。

101 Art Space is a place for open thinking and questions about contemporary art in a multi-dimensional way. It is committed to finding creations with clear spiritual orientations, taking space as a fulcrum, and combing the relationship and context of art, artists and society through an experimental curatorial way.

鄭州市冬青西街101號

101# Dongqing Street,Zhengzhou,China. 

周二至周日10：00—18：00開放參觀，周一閉館

Tuesday to Sunday,Closed on Monday & Tuesday. 

(Email)3550368347@qq.com

(Tel)0371-55265000

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